content
Riccardo Giacconi interviews Filippo Andreatta.
Can you tell us something about the work that you will present at Helicotrema 2015?
It is a recording, a diary created during a residency at Albers Foundation in Connecticut (US) while I was studying the work of Josef Albers.
The work was part of a theatrical performance in which sound was listened to on a recording without being spoken live. Starting from a theatrical point of view, how did you work with collective listening of a recorded sound source?
The performance you are referring to [squares do not (normally) appear in nature] is an abstract performance, that is, without actors or performers, in which the protagonists are the elements that – too often in a theatrical environment – are left in the background, such as sound, colors, the scenery, etc. The extract that I present at Helicotrema arises from the desire to create a moment of strong intimacy with the public and therefore, almost unexpectedly in the performance, you hear my diary from my residency. A diary being by nature something private and not shared. Nonetheless in the moment that you listen to it, a sort of tacit pact occurs between the availability of the public to listen to it and the emotional dignity of the work.
year
2015
running time
0:06:02.0
genre
audio installation
press
not available
credits
by OHT | Office for a Human Theatre
> idea Filippo Andreatta
> technical advice Studio di Registrazione Lo Spaziale Bologna
> thanks to Riccardo Giacconi
production history
from 25.IX to 04.XI.2015 > Venezia-Firenze-Bologna, Helicotrema Festival
number of replica
03