contenuto
nuvolario is a project that looks upwards, an observation of the transformative power of clouds in the most illusory mechanisms; seeing what is not there. Relegated to the domain of vagueness by their tendency to conceal celestial references, clouds have long been perceived as the enemy of clear thinking, the nemesis of philosophers and scientists.
Yet they have always deciphered reality by revealing the deceptive transparency of the air and signalling other atmospheric phenomena; an aspect that, combined with their shape-shifting nature, has made them the obsession of painters, photographers, meteorologists and the military.
OHT explores the elusive vertigo of celestial landscapes and their precipitate into our present. Visible only from afar, clouds are the rare moment when the atmosphere materialises, a taxonomy of sky forms getting through the stage and its celestial artifices.
Evanescent as a cloud, the project constantly changes shape while remaining unchanged in its name: nuvolario.
year
2024
running time
0:12:00.0
genre
installation
press
not yet
credits
NUVOLARIO
installation
by Office for a Human Theatre
> directing and set Filippo Andreatta
> song “The Pure and the Damned” by Oneothrix Point Never, Iggy Pop
> sound Francesco D’Abbraccio (Lorem)
> assistent directing Sara Thaiz Bozano
> dramaturgy collaboration Veronica Franchi
> stage manager Cosimo Ferrigolo
> light Filippo Andreatta, Bianca Peruzzi
> music advice Davide Tomat
> animal spirit yún (云)
> development and communication Anna Benazzoli
> photo Giacomo Bianco
> creative producer Chiara Boitani
> administrator Lucrezia Stenico
> international development Job Rietvelt
> production Office for a Human Theatre
> co-production Fondazione I Teatri / Festival Aperto Reggio Emilia, Romaeuropa festival, Sagra Musicale Malatestiana
> artistic residency Centrale Fies, teatro alla Cartiera Rovereto
> supported by MiC, Provincia Autonoma di Trento, Fondazione Caritro di Trento e Rovereto
production history
19-21.IX.24 > Centrale Fies
replicas
03